Dear Richard Dreyfuss: Oscars Aren’t Ruining Your Dream of Wearing Blackface, You Just Can’t Win Best Picture for It

Richard Dreyfuss doesnt get it, but most grouchy, self-proclaimed keepers of the old Hollywood guard never do when it comes to creating an industry that gives a chance for everyone to thrive.

It was Sept. 8, 2020, and I was one week into my job as the awards editor forVarietywhen the Academydropped its bombshell newsthat as part of its Aperture 2025 initiative, the organization was introducing new representation and inclusion requirements for submitting in the best picture category. There are four standards, and a film must meet only two in order to be eligible. So naturally, thenews designed to promote and encourage diversity in the Hollywood systemwas met with divisive reactions. Some, such as Viggo Mortensen,said, Its about exclusion, which is discrimination.

Others like comedian and actor Andy Sambergpointed out the apparent loopholes in the Academys gesture: The parameters if you look at them closely you can have the whitest cast in the history of cinema and still very easily meet them by just doing a few key roles behind the camera. People who have problems with it can fuck off.

Now enters Dreyfuss,whose comments come during an interviewon PBS Firing Line With Margaret Hoover. When asked about the standards that go into effect this year, the 75-year-old actor responded, They make me vomit.

Such a physical, dramatic reaction from the Oscar winner of The Goodbye Girl (1977), who at 30, became the youngest best actor winner until Adrien Brody, 29, won for The Pianist in 2002. I dont recall the What About Bob star sharing his bodily nausea during some of Hollywoods most significant moments of reckoning, such as the fall of disgraced figure Harvey Weinstein during the height of the #MeToo movement, the murder of George Floyd or even the current writers guild strike thats halted the business.

But many may remember hisbewildering appearance in the courtroomduring the O.J. Simpson murder trial in 1995 on the defendants side, no less.

Schofield (George MacKay, foreground) with fellow soldiers in 1917, the new epic from Oscar-winning filmmaker Sam Mendes. Franois Duhamel This is yet another demonstration of the exhaustive behavior of the vocal rebellious freedom fighters in Hollywood. Talking heads like Bill Maher or former Fox and NBC personality Megyn Kelly have made careers out of sitting on the partisan fence with their versions of both sides are bad, but seem to only be on the record criticizing actions and policies that advocate for a better world for marginalized communities.In conversations with industry professionals not in favor of the guidelines, Ive found the absence of a fundamental understanding of the rules, what they mean and how movies remain eligible.

With minimal effort on their part, the current 640-word document as it stands would not disqualify any film nominated for best picture, going as far back as 1980. That means the country-singing character piece Tender Mercies (1983), the dual-male-character war drama 1917 (2019) and the macho-gangster best picture winner The Departed (2006) all keep their pieces in Oscar history. And that declaration comes without the knowledge of studios executive teams or internship programs available during the respective eras.

But Dreyfuss still finds the flaws in the Academys motion.

OTHELLO, from left: Frank Finlay, Laurence Olivier, 1965 Courtesy Everett Collection One of the most jaw-dropping moments from Dreyfuss PBS appearance was when he invoked Laurence Oliviers work in the 1965 version of the William Shakespeare classic story Othello, which featured the actor in Blackface.

He played a Black man brilliantly. Am I being told that I will never have a chance to play a Black man? Is someone else being told that if theyre not Jewish, they shouldnt play [in] The Merchant of Venice? Are we crazy? Dreyfuss asked. This is so patronizing. Its so thoughtless and treating people like children.

:: takes a deep breath ::

Mr. Dreyfuss we live in a free world. If you feel inspired and spiritually driven to play the role of a prominent Black figure like Rosa Parks or the recently departed Harry Belafonte, you can produce, direct, write, star and self-distribute this hypothetical motion picture. If you want to keep the purity of art alive and wish to hire an all-white crew, you also can do so.

It may be helpful to know that Mr. Dreyfuss could be nominated and even win a second acting statuette for what he might call his most important work during his campaign tour.However, the best picture statuette from the over 9,600 members would likely not meet the prerequisites.

What makes Dreyfuss statement more ironic is Oliviers work garnered him a lead actor nom. While acknowledging the time when Othello was filmed, weve also seen respected actors like Patrick Stewart, who starred in a 1997 production of the titular character, able to do so without resorting to Blackface.

Dreyfuss, and others in his controversial camp, consistently fail to address the derogatory and offensive stereotypes involved with playing a Black person when youre not. They also wont acknowledge such a practice does to the attempted erasure of Black actors. They only have the entitlement they possess to play any role they wish.

His comments further suggest the Academys guidelines, which are truly the bare minimum of telling Hollywood to get its act together, are pushing this alleged race and gender war conservative naysayers cite often. It fuels an arbitrary theory that qualified white men are being prevented from being gainfully employed in favor of unqualified BIPOC people to meet some arbitrary quota. Yet, any recent study examining the data shows a stalemate, even a regression, for BIPOC artists and stories.For example, UCLA Center for Scholars Storytellers revealedin its report only 4.8% of experienced directors are female compared to 95.2% of experienced directors being male. And 16.3% of experienced directors are BIPOC, and the rest are white.

Also worth noting, Othello (1965) would also meet the proposed Academy criteria for best picture thanks to production and costume designer head Jocelyn Herbert and the storyline focusing on a Black man (even though it wasnt played by one).

What is all this for if everything stays the same, you might be asking yourself. One well-intentioned issue at a time, folks.