Its only been out for two nights, but Five Nights at Freddys is already off to a robust start at the domestic box office. Universal Pictures and Blumhouse Productions horror film spring-trapped $39.4 million in ticket sales from 3,675 locations on its opening day, a number that includes $10.3 million in preview screenings.
Thats an impressive figure for a release that is already available on streaming. Universal elected to drop Freddys on its platform Peacock on the same day as its theatrical debut. The studio employed the strategy with previous Blumhouse productions, the slasher sequels Halloween Kills ($49 million debut) and Halloween Ends ($40 million debut). Five Nights looks to be outperforming both of those films though, now projecting a three-day total of $78 million. With a lean production budget of $20 million, its already a winner.
The horror film, based on the viral, lore-heavy video game series of the same name, is looking to land among the top October openings ever. Joker holds the record with $96.1 million, followed by this falls Taylor Swift: The Eras Tour ($92 million), two Venom entries ($90 million and $80 million) and Blumhouses first Halloween ($76 million). If Five Nights at Freddys beats out Black Adam ($67 million), thatll be the sixth-biggest October debut ever.
Its a testament to the propertys popularity that Freddys could play like an event release when its available for living room viewing. An adaptation of the video game series has been long-awaited, with producer Jason Blums updates on the long-gestating project often igniting chatter among the fanbase over recent years. The PG-13 rating, which did spark some disappointment among a handful of devotees, does allow the release to bring in younger audiences who have grown up with the games. Reviews have been quite negative, but audiences are big fans, as indicated by the A- grade on Cinema Score (quite stellar for a horror release).
For Universal and Blumhouse, its a welcome accomplishment after the duos recent horror revival, The Exorcist: Believer, underwhelmed in its opening at the top of the month. Universal shelled out $400 million for rights to mount a new trilogy in the franchise, plus a $30 million production budget for the feature but the legacy sequel has only earned $111 million globally in the weeks since. With Freddys though, the pair of studios are sending October out on a strong note.
Five Nights at Freddys follows a security guard who takes over the night shift at a haunted pizza parlor, where the animatronic mascots have minds of their own. Josh Hutcherson stars, along with Elizabeth Lail, Matthew Lillard and Mary Stuart Masterson. Emma Tammi directs.
Taylor Swift will fall to second after two weeks atop domestic charts. The Eras Tour earned $4.8 million on Friday, down 53% from last weeks figure. The concert film should edge beyond a $150 million domestic gross through the end of the three-day frame, ranking it among the top 15 North American releases of the year.
Killers of the Flower Moon is headed for third, projecting a second weekend of $10 million to go down 57% from its opening debut. The North American gross for the Martin Scorsese film looks to edge past $41 million through 10 days. Was Apple expecting its grim historical epic to out-earn a $200 million production budget in its domestic release? Probably not. It wouldve been something though!
Angel Studios returns to the box office this weekend for the first time since smashing expectations with Sound of Freedom this summer. Its opening the documentary After Death, which explores individuals encounters with the afterlife, in about 2,600 venues. Competitors are projecting a debut of $5.7 million. The A- grade on Cinema Score shows its resonating with its target audience.
And speaking of Christian encounters with the supernatural, The Exorcist: Believer should round out the top five, earning $3.3 million in its fourth weekend of release. It should push to a $59.5 million domestic total through Sunday.