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Riley Keough and Marcus Mumford Are Emmy Contenders With Three Original Song Submissions From ‘Daisy Jones & the Six’ (EXCLUSIVE)
Riley Keough and Marcus Mumford Are Emmy Contenders With Three Original Song Submissions From ‘Daisy Jones & the Six’ (EXCLUSIVE)
turnover time:2024-11-25 14:16:46

Riley Keough and Marcus Mumford Are Emmy Contenders With Three Original Song Submissions From ‘Daisy Jones & the Six’ (EXCLUSIVE)1

Dont let me down Emmys, and nominate the songs of Daisy Jones.

Variety has learned exclusively about Amazon Prime Videos plans for which songs will be submitted for Primetime Emmy Awards consideration in the outstanding music and lyrics category from the acclaimed musical drama miniseries Daisy Jones the Six. While there are 11 songs that are part of the tracklist of the fictional album Aurora, which was released by Amazon, three tracks will be submitted for the Television Academy the hypnotic Let Me Down Easy, the powerfully passionate Look at Us Now (Honeycomb), and the dynamic and thematic showstopper The River.

Read: Variety Awards Circuits Emmys Hub

The original music and lyrics category is one of the few Creative Arts races where all series, regardless of genre submissions, compete against one another. Some of the most notable winners have included Agatha All Along from Marvels WandaVision, Dick in a Box from the NBC variety sketch show Saturday Night Live and most recently, the titular number from the Apple musical series, Schmigadoon!

Riley Keough and Marcus Mumford Are Emmy Contenders With Three Original Song Submissions From ‘Daisy Jones & the Six’ (EXCLUSIVE)2

Lacey Terrell/Prime Video Look at Us Now (Honeycomb), written by Blake Mills, Jason Boesel, Stephony Smith, Jonathan Rice and Marcus Mumford, has a great history within the series. It was cut from the fictional bands debut record SevenEightNine before showing up on their Aurora album. Billy (played by Sam Claflin) wrote the song as a promise to be a better husband to his wife and band photographer Camila (Camila Morrone).

There are a couple of moments and versions of the song, but in the episode titled Track 8: Looks Like We Made It, the bands intoxicated lead singer Daisy (Riley Keough) injures herself on stage and eventually sings the song a capella. This moment triggers Billy, who refuses to play the song on tour, to storm off.

Mumford, known for his band Mumford Sons, is already a previous Emmy nominee for the main title theme music to Ted Lasso in 2021. Nevertheless, despite the song creating a revelatory moment, its two song counterparts seem like better shots for recognition.

If there is Emmy gold coming the shows way, it feels as though the gorgeously moving The River, penned by Blake Mills, Z Berg, Joe Keefe and Kayslee Don Collins, would be the one.

The thematic chart-topper becomes the narrative crux heavily featured throughout the 10-episode musical miniseries. You hear and see it prominently in the live concert montage during episode eight, where Keough stakes her claim as a worthy contender for lead actress limited, setting the screen ablaze with her sultry vocals and physical dominance alongside Chaflin.

However, the music reaches new depths when Keough duets with Brazilian actress Nabiyah Be as Daisys best friend and former roommate Simone during the series finale, Track 10: Rock n Roll Suicide. Featuring the most memorable 78 seconds of the series, the two come on stage together, creating soulful harmonizations within the beautifully complicated song that takes the story to new heights, in addition to orchestrating the strength and vitality of Claflins performance.

And then theres the shoe-tapping jam of Let Me Down Easy, written by Z Berg, Ali Tamposi, James Valentine and Blake Mills.

Coming midway through the series journey, episode five titled Track 5: Fire, showcases the bands first steps into the recording booth to create its album. Nonetheless, the viewer simultaneously witnesses the magic and tension between Billy and Daisys creative minds, who are unwilling (or unable) to compromise and find common ground.

Its the most Fleetwood Mac-sounding track, recalling the time when the band recorded Rumours in 1977, providing glimmers of hope of a bright future that will be marred by fame and pride.

Developed by Scott Neustadter and Michael H. Weber and based on the best-selling book by Taylor Jenkins Reid, the limited series follows a fictional rock band thats loosely inspired by Fleetwood mack on their journey through the 1970s Los Angeles music scene. The epic music inspired Variety to list the best fictional bands in movies and television.

Neustadter and Weber also serve as executive producers for the series along with Oscar and Emmy winner Reese Witherspoon (Walk the Line and Big Little Lies), James Ponsoldt, Will Graham and Lauren Neustadter. Josie Craven, Taylor Jenkins Reid and Amanda Kay Price are credited producers.

Daisy Jones is one of six Prime Video series vying for Emmy recognition in the outstanding limited or anthology series race, alongside Dead Ringers with Rachel Weisz, The English with Emily Blunt and Swarm with Dominique Fishback.

Visit the prediction pages for the respective awards ceremonies: OSCARS | EMMYS

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