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The Strokes: Is This It
The Strokes' Is This It arrives pre-sold. For months, its reputation has been building through word of mouth, New York music circles, and the British music press, which dubbed The Strokes "the new Sto
Death Cab For Cutie: The Photo Album
Death Cab For Cutie made a creative and commercial breakthrough last year with We Have The Facts And We're Voting Yes, a remarkable bit of shimmering pop that proved equally conversant in subtly aggre
Sloan: Pretty Together
Clever pop acts are hard to trust. The Nova Scotia rock band Sloan figured this out three albums into its career, when it abandoned witty, literate grunge-pop and began swaddling arch, self-aware lyri
Fugazi: The Argument
Much has been written about Fugazi's staunch convictions, to the point where some basic facts can be rattled off by those with only a passing interest. It's true that the band is unbending in its dism
Masta Ace: Disposable Arts
Few figures in hip-hop are the object of as much scorn, pity, and derision as the washed-up old-school rapper, still sporting thick gold chains and professing his lyrical superiority long after his ti
Pulp: We Love Life
The last time anyone heard from Pulp's Jarvis Cocker, he'd turned claustrophobic, choking on the bad air, stale perfume, and dashed expectations of 1997's This Is Hardcore. The only option left seemed
Aphex Twin: Drukqs
With his overwhelming back catalog and enduring status as electronica's foremost auteur, Aphex Twin's Richard D. James is the one dance-music figure everybody can agree on. Though it's been displayed
Dilated Peoples: Expansion Team
"It's bigger than hip-hop," booms the chorus of Dead Prez's "Hip Hop," a characteristically blunt challenge for the hip-hop world to look beyond commercial success and the fetishized trappings of rap
Grand Puba: Understand This
"Don't call it a comeback!" LL Cool J bellowed famously on "Mama Said Knock You Out," a song that, in spite of Cool J's demand, ranks as possibly the greatest comeback song of all time. That hip-hop q
The Coup: Party Music
Since the release of its 1993 debut Kill My Landlord, The Coup's great gift has been its ability to make Marxism, that least fashionable of ideologies (aside from certain strains of Islamic extremism)
Britney Spears: Britney
If Britney Spears has demonstrated one talent in her wildly celebrated career, it's an uncanny ability to serve as a blank canvas on which listeners and viewers can project fantasies, intentions, and
Ludacris: Word Of Mouf
Shamelessness is to be expected in the style-above-substance world of pop-rap, but even for a figure as famously shallow and materialistic as Jermaine Dupri, it takes chutzpah to give an album the bla
They Might Be Giants: Holidayland EP
The ridiculously prolific humorists of They Might Be Giants aren't often cited for profundity, but at their best, John Flansburgh and John Linnell spike their music with sharp comments on the dangers
Radiohead: I Might Be Wrong: Live Recordings
The approach of the holidays generally signals the onset of the year's least inviting stretch of new music releases, with unenticing 800-pound gorillas (Britney Spears, Michael Jackson, Creed) coexist
Paul McCartney: Driving Rain
On 1999's Run Devil Run, a collection of early rock covers with a few stylistically appropriate originals thrown in for good measure, Paul McCartney touched base with the music that first inspired him
Canibus: C True Hollywood Stories
Few figures in hip-hop have fallen quite as far quite as fast as Canibus. Mentored by Wyclef Jean and hailed as rap's next big thing after a series of ferocious guest performances, Canibus saw his car
Ghostface Killah: Bulletproof Wallets
Arriving amidst a sea of forgettable Wu-Tang Clan solo albums and sketchy, only tangentially related side projects, Ghostface Killah's 2000 breakthrough Supreme Clientele generated the sort of excitem
Jewel: This Way
Singer, songwriter, and poetess Jewel Kilcher has long been one of pop culture's most easily maligned figures, in part thanks to a best-selling book of goopy poetry and the memoir (the cover of which
Rob Zombie: The Sinister Urge
A renaissance man for the undead, Rob Zombie has used the raw materials of Dwight Frye films, Alice Cooper stage shows, late-night horror-movie hosts, Ed "Big Daddy" Roth's "Rat Fink" cartoons, and di
Jim O'Rourke: Insignificance
Jim O'Rourke's backward journey from deconstructed noise to straightforward songcraft has left him in the worst kind of bind. When Eureka, his last album, was largely misinterpreted as a series of sem
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