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Mellon Collie foretold both glory and doom for The Smashing Pumpkins

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In this insta

60 minutes of James Brown being super bad

For about 20 years—from roughly 1955 to 1975—James Brown stayed ahead of the curve by stripping down. While other rock and R&B acts courted favor with mainstream audiences by moving toward softer soun

Duran Duran’s “A View To A Kill” propelled James Bond into the modern world

In We’re No. 1, The A.V. Club examines an album or single that went to No. 1 on the charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In

The Doors perfectly captures cultural and personal disillusionment

Permanent Records is an ongoing closer look at the records that matter most.

LL Cool J’s Radio and the genesis of Def Jam

Permanent Records is a close look at the records that matter most.

Dead at 26, Baby Huey left the world one grand LP

Permanent Records is an ongoing closer look at the records that matter most.

It’s five against one with 60 minutes that define Pearl Jam

When it comes to Pearl Jam, musical comparisons aren’t difficult, but finding many other bands that experienced the same career trajectory might be. The Seattle group is one of the few bands in histor

Floor told metal dudes that it’s okay to be boy crazy

Permanent Records is an ongoing closer look at the records that matter most.

Robert Palmer’s “Addicted To Love” helped define the MTV era

In We’re No. 1, The A.V. Club examines an album or single that went to No. 1 on the charts to get to the heart of what it means to be popular in pop music, and how that has changed over the years. In

Solomon Burke’s Don’t Give Up On Me was a soul resurrection done right

Permanent Records is an ongoing closer look at the records that matter most.

When Bundled Bowels met Gruesome Toilet: The 2015 year in band names

As the year closes and the world takes stock of what it has seen and learned the past 12 months, The A.V. Club continues its hallowed annual tradition of quantifying the the funny, terrible, bizarre,

On Commitment, Bobby Darin became a folkie radical

After the zeitgeist-tilting emergence of the youth counterculture in the mid-’60s, musicians of every stripe, from blues men to Vegas nightclub acts, were expected to release a “groovy” album even if

Haddaway’s “What Is Love” is the one-hit wonder that keeps hitting home

In We’re No. 1, The A.V. Club examines a song that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the year

On The Man Who Sold The World, David Bowie found his career blueprint

Permanent Records is an ongoing closer look at the records that matter most. Note: The interviews in this article were conducted before David Bowie’s death on January 11, 2016.

Brothers And Sisters found The Allman Brothers Band wandering into uncertain territory

Permanent Records is an ongoing closer look at the records that matter most.

Wreckless Eric was the punk rock record that wasn’t

Permanent Records is an ongoing closer look at the records that matter most.

On Good Old Boys, Randy Newman approaches the South with an insider’s touch

Permanent Records is an ongoing closer look at the records that matter most.

A one-of-a-kind album tried to turn ’80s pop on its ear

Permanent Records is an ongoing closer look at the records that matter most.

20 years later, Tupac’s All Eyez On Me is still as raw as an exposed nerve

Permanent Records is an ongoing closer look at the records that matter most.

The Yardbirds replaced, reused, and revolutionized on Having A Rave Up

Permanent Records is an ongoing closer look at the records that matter most.