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With Lateralus, Tool built a monument to metal’s evolution

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

For Smokey Robinson, A Quiet Storm was also a perfect one

Permanent Records is an ongoing closer look at the records that matter most.

With Speakerboxxx/The Love Below, Outkast heralded the decline of gangster rap

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

With When I Was Cruel, Elvis Costello made a return to formlessness

Permanent Records is an ongoing closer look at the records that matter most.

We Are The World united America’s biggest pop stars to make us feel better

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

Usher’s Confessions rode fictionalized scandal to the top of the charts

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

Iggy Pop finds the Raw Power of punk’s convictions

Permanent Records is an ongoing closer look at the records that matter most.

Don McLean offered the world a big old slice of American Pie

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

Songs From Northern Britain proves that sometimes nice bands finish last

Permanent Records is an ongoing closer look at the records that matter most.

U2’s electronic-heavy Pop deserves more respect for its risk-taking

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

Return To The 36 Chambers reinvented the solo record in its eccentric creator’s image

Permanent Records is an ongoing closer look at the records that matter most.

The Replacements and the legacy of Let It Be

Permanent Records is an ongoing closer look at the records that matter most.

With Wildflowers, Tom Petty took brilliant advantage of a clean slate

Permanent Records is an ongoing closer look at the records that matter most.

Before they were robots, Daft Punk were failed rockers with electronic dreams

Permanent Records is an ongoing closer look at the records that matter most.

With Electric Youth, Debbie Gibson spoke to and for teen girls everywhere

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

Tori Amos confronted taboos and reclaimed her power with Under The Pink

Permanent Records is an ongoing closer look at the records that matter most.

With Glass Houses, Billy Joel attempted to overhaul his image

Permanent Records is an ongoing closer look at the records that matter most.

Madonna’s Like A Prayer remains a provocative, substantial pop record

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

With The Predator, Ice Cube turned cultural turmoil into chart-topping success

In We’re No. 1, The A.V. Club examines an album that went to No. 1 on the Billboard charts to get to the heart of what it means to be popular in pop music, and how that concept has changed over the ye

Separation Sunday is the gospel according to The Hold Steady

Permanent Records is an ongoing closer look at the records that matter most.